Here another cool blue guitar from the Gibson stable, a great looking  Blue-burst Gibson Les Paul Standard model. Great guitar with an understated flame type top on it. Although it’s a newish  guitar it is great for the collection. Its a lighter weight body (3.9 Kgs) than the earlier ones from 2005 but still made to a high standard and with good materials. This guitar has seen nearly no use at all and has some but very minor  marks to body. The overall playability is superb. Set up nice and low so it plays like butter. Lives in its  black Gibson case.

Here a cool vintage guitar from the Gibson stable, a Gibson Les Paul Standard model from 1978 in red. Standards from 1970s were often converted deluxe models and original standards are far less common than deduces or Customs. This guitar has seen good  use and has many marks to the back  of the neck and body but overall in good condition. The playability is superb and the guitar has a nice feel about it. Set up nice and low it plays like butter. Lives in its black plastic case.

Here a cool guitar from the Gibson stable, a great looking  Blue-burst Gibson Les Paul Standard model. Great guitar with an understated flame type top on it. Although it’s a 15+  year old guitar it is in great condition and the pick guard was never fitted. These models from 2005 were issued as a limited issue of about 275 units and fall in the category of the so called good wood guitars, when Gibson guitars were apparently made to a high standard and from good materials. This guitar has seen good use at all and has some but no major marks to body. The overall playability is superb. Set up nice and low so it plays like butter. Lives in its  black Gibson case.

Another quality guitar from the Gibson stable, a great looking 30+ year old Cherry Sunburst Gibson Les Paul Standard model. Great guitar with a lovely understated flame top on it. The immediate 1990s falls in were considered a so called “good wood” era and Gibson guitars were made to a high standard. This guitar has seen use and has some but minor marks to body and neck and is in great condition. The playability is superb and the guitar has an amazing tone about it.  Set up nice and low it plays like butter. Lives in its tan coloured case.

Nearly new quality guitar from the Gibson stable, a great looking Vermilion Sunburst Gibson Les Paul Standard model. Great guitar with a flame type top on it. Although it’s a near new guitar it appear to be a quality build. Not unlike the so called good wood era models when Gibson guitars were apparently made to a high standard. This guitar has seen no use at all and has nearly no marks to body and is therefore in great condition. Even the pick-guard was not fitted and no drill holes are present on the body.  The overall playability is superb and the guitar has a cool look about it. Set up nice and low it plays like butter. Lives in its tan coloured case.

Top-quality guitar from the Gibson stable, a great looking Tobacco Sunburst Gibson Les Paul Standard model. Great guitar with a fine top on it. 1995 falls in the so called good wood era and guitars were made to a high standard. This guitar has seen only minor use and has only minor marks to body and is in great condition. The overall playability is superb and the guitar has a nice look about it. Set up nice and low it plays like butter. Lives in its tan coloured case.

The Gibson Les Paul Standard stands as one of the most widely played and recognisable guitars ever. First marketed as the Les Paul model in 1952, the Les Paul evolved in the ’50s until the design was replaced by the SG in late 1960/1. Up until 1958, the Les Paul models sported a gold metallic finish, and guitars from this era are collectively referred to as Goldtops. Goldtop Les Pauls are becoming sought after and prized by collectors, and each production year showcases the innovations made by Gibson throughout the decade. This model is quite basic, and has the wraparound stud tail piece that proved more sturdy than the trapeze tailpiece that came with the early 1952 models. This wrap job is called a combination stud bridge/tailpiece, and was commonly used by end of 1953. Not long after this, the separate bridge/tailpiece was introduced that overtook the use of the wraparound. The LPs with a trapeze tailpiece are considered less desirable to collectors. The guitar sports a Single cutaway solid-body, Mahogany, Maple top, Mahogany neck, Rosewood fingerboard. Two single-coil P90 pickups, trapezoid inlays, Kluson tuners, four control knobs, three-way pickup selector, white pickguard, bound fingerboard, stud bridge/tailpiece.